Har bal mastering example how to#

That way you can easily adjust the spacing between songs, and apply different fader settings and processing to each song as needed. ItвЂ™s convenient to put each song clip on a different track, one after another (Figure 1). The waveform of the song appears as a clip or segment of audio. Import the first songвЂ™s wave file to track 1. Open or create a multitrack session set to 24-bits/44.1 kHz. Mastering can be done with your multitrack recording software, or with an audio production program such as Steinberg Nuendo, Sony Sound Forge, BIAS Peak Pro, Sonalksis Mastering Suite, 1K Multimedia T-Racks 24, or Magix Samplitude.ДЎ. Once you have decided on the order of songs, youвЂ™re ready to master the demo or album as described below. You can drag the wave files of your song mixes into iTunes and experiment with various sequences. The last song should sound relaxed and intimate, maybe using fewer musicians. Reach an emotional climax near the end of the album.ДҐ. After three or four songs, slow down the tempo.Д¤. After a short space, an up-tempo or mid-tempo song.ДЈ. An up-tempo, exciting song that hooks the listener.Дў. For variety try to change keys from song to song. First, discuss the order of the songs on the album. Suppose you want do the mastering yourself. Also, leave some headroom by recording the mixes at about -3 dBFS maximum. Let the mastering house do it with their better gear and software. Do not apply any signal processing to your finished mixes such as editing, level changes, compression, normalization, fades, or EQ. If you plan to have your program mastered outside, burn a data CD of your mixes, which ideally are 24-bit/44.1 kHz wave files. Related Info: вЂњYou wouldnвЂ™t want to blow out someoneвЂ™s multimedia speakers because one track is louder than the next.вЂќ

Har bal mastering example how to#

They have heard hundreds of recording projects done by others, and know how to make your CD sonically competitive. He or she is likely to have better monitor speakers and better equipment than yours. This person can listen to your program with fresh ears and suggest processing for your album that will make it sound more commercial. You might prefer to send your CD of mixes to a good mastering engineer instead of doing it yourself. You also can make the CD competitively loud or вЂњhotвЂќ (but without destroying its sound quality). The goal is a consistent sound from track to track, so that everything flows better and the album sounds unified. WhatвЂ™s involved in mastering? You edit out noises or false starts before the beginning of each song, put the songs in the desired order, insert a few seconds of silence between them, and make the songs equally loud. After recording mixes of your songs on your computerвЂ™s hard drive, youвЂ™ll put together a CD album or demo of those mixes. Mastering is the last creative step in your album project before you burn the final CD used for duplication.